Tag Archives: anis mojgani
I don’t know what it is about this man, but shit, Anis Mojgani’s poems make me want to live. They make me want to speak in cliches, and speak with an overbearing brand of optimism – they make me want to breathe deeply, and live deeply; they make me feel infinite, and infinitesimal; they make me want to live out my life as a permanent quest for self-improvement; they make me want to laugh and cry and dance in the rain and drink round a bonfire and swim at sunset and drive to nowhere – they make me feel all of these things, all at once, like a spark that lights up from the first line, and grows throughout the poem until it ends and I’m left with a raging inferno of emotions. But it’s a nice inferno – an inferno that brings back so many feelings, like feelings of childhood I hadn’t quite held on to, and feelings of nostalgia for a life I haven’t really lived yet, and feelings for all the things I could do, and want to do, and should do.
This poem, “Here Am I”, reaches it’s climax, and I feel the tears building. And it’s rare, because they aren’t sad tears, or angry tears, or even teenage-angsty tears; they’re just tears. Emotions, spilling out of me, forcing themselves out in one of the few ways they know how to force themselves out of me. His words are so beautiful, and so inspirational, and it’s so hard to describe how they make me feel. But that’s okay, because I shouldn’t need to describe it. I want you to feel it, for yourself. I want everyone to feel it, not necessarily from his words, but from something. It’s a wonderful feeling. It’s one I need to feel more often. And one of the best bits? They leave a lingering sense of hope behind.
“I was here / I was here motherfucker / And ain’t none of y’all can write that in the spot that I just wrote it in / I’m here motherfucker and we all here motherfucker and we all motherfuckers, motherfucker / Because every breath I give brings me a second closer to the day that my mother may die / Because every breath I take takes me a second further from the moment she caught my father’s eye / Because every word I carry is another stone to put into place in the foundation that I’m building / Because the days can erase something that I never saw / What all of us wanted and what none of us got / What we all had and have and what we all forgot / That we all wanted to be something / That we all became something / And it might not be the shit we once though we’d be when we were kids but something is still something and like some cats say, something is better than nothing / Feet are smarter than an engine / And dreams are stronger than thighs / And questions are the only answers we need to know that we are alive as I am when I have the mind of a child, asking why is 2 + 3 always equal to 5 ? / Where do people go to when they die? / What made the beauty of the moon? / And the beauty of the sea? / Did that beauty make you? / Did that beauty make me? / Will that make me something? / Will I be something? / Am I something?
And the answer comes: already am, always was, and I still have time to be.”
This is for the benches and the people sitting upon them,
This is for the two-year-olds who cannot be understood because they speak half-English and half-god. Shake the dust.
For the girls with the brothers who are going crazy,
This is for the hard men, the hard men who want to love but know that is won’t come.
This is for the celibate pedophile who keeps on struggling,
This is for the tired and for the dreamers and for those families who’ll never be like the Cleavers with perfectly made dinners and sons like Wally and the Beaver.
This is for the biggots,
This? This is for you.
So shake the dust and take me with you when you do for none of this has never been for me.
So when the world knocks at your front door, clutch the knob and open on up, running forward into its widespread greeting arms with your hands before you, fingertips trembling though they may be.